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INTERNATIONAL CRITICAL RECEPTION OF PROPAGANDIST EXHIBITIONS OF POLISH ART IN THE 1920S AND 1930S
 
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Uniwersytet Pedagogiczny im. KEN w Krakowie, Wydział Sztuki/ Katedra Teorii Sztuki
 
 
Acceptance date: 2019-07-29
 
 
Publication date: 2019-09-30
 
 
Studia Humanistyczne AGH 2019;18(3):45-53
 
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ABSTRACT
The goal of this article is fi rst of all to describe the reception of exhibitions of Polish interwar art in the foreign press. I pay closer attention to those of exhibitions that were most prestigious and acclaimed, such as the Venice Biennale, where representatives of Polish art were juxtaposed with other countries’ pavilions and judged in comparison to them. It was the time of the battle against the radical avant-garde, accused of bringing art to a state of impasse, stagnation, or even slow agony. Most exhibitions of Polish art abroad were organized by Mieczysław Treter (1883–1943) a philosopher and art historian, but also an exhibition curator and director of TOSSPO (the Association for the Promotion of Polish Art Abroad), who faced a very diffi cult task trying to fulfi l his mission to promote Polish art through exhibitions. He had to take into account this artistic climate and the dynamically changing situation on the art market, and respond to the expectations of foreign critics, who would examine the art of particular nations with the focus on manifestations of national style. On the other hand, he had to consider the opinions of the Polish artists and critics as well as pressures from the ministry and Polish diplomats.
FUNDING
The text was created thanks to the research being fi nanced by the National Science Center, the Sonata program, UMO 2014/15/D/HS2/03262.
eISSN:2300-7109
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